BIOGRAPHY

Thank you for visiting my website!

I discovered my passion for music at the age of six. Growing up in the late ’80s and ’90s, I was deeply inspired not only by classical music but also by film score legends like James Horner, James Newton Howard, Philip Glass, Thomas Newman, John Williams, Jerry Goldsmith, Rachel Portman, Michael Nyman, and Hans Zimmer, to name a few.

My compositional style ranges from full orchestral to minimalist and experimental. I often blend acoustic live instruments with synths, sound design, ethnic elements, and vocals — usually performed by my longtime collaborators Mikolt Gyuricza & SuzyH, while I provide the deeper, throaty male vocals myself. If I had to choose a main instrument, it would undoubtedly be the piano — it’s my favorite tool for writing and performing. Though self-taught in composition, orchestration, and production, I perform all my piano parts myself and strive to evoke deep, often dramatic and melancholic emotions through memorable themes.

My work has been featured on television worldwide, and I compose orchestral cues for renowned trailer music labels like Audiomachine and Eternal Eclipse. My music has been used in major Hollywood film campaigns by studios including Disney, Marvel, 20th Century Fox, Netflix, Lionsgate, Warner Bros., and Fox Searchlight — with placements in projects like Dune, Avengers: Endgame, Alita: Battle Angel, Christopher Robin, Brooklyn, The Witcher, Little Women, The OA: Part II, and many more.

I’ve also composed original music for video games such as Heroes of Newerth (S2 Games), Lornsword Winter Chronicle (Tower Five – PS4, Xbox, PC), and most recently Throne and Liberty (NCSOFT).

It’s been an honor to have my music performed and recorded by world-class ensembles, including the London Symphony Orchestra, the London Philharmonia Orchestra at the legendary Abbey Road and AIR Studios, the Capellen Orchestra & Choir in Prague, and the Sofia Session Orchestra & Choir in Bulgaria.

On a more personal note:
I’m most passionate about composing music for visual media that demands emotional depth. My favorite composer-director collaboration is James Newton Howard and M. Night Shyamalan — Lady in the Water remains my all-time favorite score. Their work greatly influenced my musical path.

I also draw inspiration from sweeping scores like The Lord of the Rings, Braveheart, Gladiator, and more intimate, minimalist works like The Hours, The Lovely Bones, Marvin’s Room, American Beauty, and The Truman Show. I love experimental storytelling in films like Koyaanisqatsi and Requiem for a Dream, powerful documentaries from David Attenborough, emotionally rich animations like Up, Inside Out, Soul, The Prince of Egypt, and story-driven games such as The Last of Us, Heavy Rain, Horizon Zero Dawn, and anything by Hideo Kojima.

What matters most to me is emotional weight — the ability of music to elevate story and meaning. If a project has depth and heart, I’ll be endlessly inspired. My lifelong dream is to collaborate with passionate creatives on works that leave a lasting impact.

Thanks again for being here.